Thursday saw The Whittlesey Wordsmith’s first virtual meeting via Zoom. Stephen Oliver kindly hosted the meeting Cathy Cade did much of the organising thank you very much Cathy and Stephen.
Considering it was our writing group’s first attempt, as slightly older members of society, it went remarkably well. A few members were too unsure of their technical skills to try it. Gwen had problems seeing us and being seen, Sandra had synchronisation problems with her device or signal. Six of us started the meeting, five managed it right through.
The meeting followed its usual form in cyber space as it does in real life, plenty of wondering off topic and anecdotes but as usual an interesting conversation. Jane found it easier as she was able to see everyone’s faces and could lip read more easily.
It is was not as good as a real life meeting but it was nice to chat to friends and see their faces. Hopefully we can address the technical issues before next month, if we need to have another virtual meeting.
She shares her thoughts on people watching and how the way they interact with each other and their surroundings. These thoughts inspire her stories that form from the pictures in the mind’s eye. An interesting piece, an observation on observations.
Wendy’s new book, The Railway Carriage Child is launching soon for details follow this blog or follow the link to her site at the end of her post
I started watching people having conversations and wondered what they might be saying to each other.
Poetic licence allowed me to record these conversations without ever hearing a word.
Body language played a big part in this.
Were the couple on a bench leaning in close?
Were their knees touching?
Did they hold each other’s eyes as they talked?
Another couple in a restaurant looked far more distracted. He pushed his vegetables around with his fork. She wiped her mouth nervously with her napkin.
A man with a dog sat in the park. Every time he threw the stick, the dog bounded back, dropped it readily and waited for a fuss. The man leaned over and gave him a hug; not just a pat but a real hug.
Here were characters for a story.
Without eavesdropping, without intruding, I could incorporate their unspoken dialogue into an imaginary scene.
Maybe the young couple were being drawn closer together by some adverse reaction to their relationship. Did they face opposition from parents who perhaps thought them too young for a serious commitment?
Could the older couple in the restaurant be those parents, could they be disagreeing about handling the situation?
And the man in the park; probably Granddad, lonely after the death of his wife, relying on the closeness he feels with his dog, but about to realise how much his wise words are valued by his family as he steps into the role of mediator; to listen to the concerns of his daughter and son-in-law, to feel the pain of his grandson, torn between teenage love and parental concern.
Yes, the idea is growing. I can meld together this family of characters who have never met.
Wendy’s interesting perspective, it really is another way of seeing things.
Val’s piece about Plagiarism probably touched a nerve with most of us. We do not write in isolation, somehow screened from the real world and its influence.
When I first learned to write, aged about four, I traced the shape of letters that had been designed by someone else; A, B, C and D were not my invention.
Within a year or so, I was putting those shapes together to write my first words: C-A-T and D-O-G. Again, there was nothing original here.
It is just a myth that we writers produce anything original. We are not the proverbial chimps sitting at a keyboard and likely to produce a masterpiece if we are given enough time.
The secret of good writing and, perhaps more importantly, staying out of trouble, is to be inspired, influenced, led by others, but to build our own framework on which to hang these snippets.
An analogy might be that we see leaves blowing in the wind and scoop them up, then drape them on a branch where they form an interesting and unique pattern. We don’t uproot whole trees.
With this in mind, I would like to tell you about my latest collection of leaves.
I have been unable to drive for the last three months and have relied on public transport. The conversations that I have overheard have been an eye-opener of some magnitude. You wouldn’t believe what goes on in the Fens.
So, if you have been travelling in East Anglia, over the last few weeks, you might want to see if you can spot a few words from that lengthy discussion you were having on the bus.
“Well, it was only this morning I was saying to my ‘usband………’
Val Chapman tackles the issue of plagiarism in this post, raising issues and giving us her thoughts
……They accused me of plagiarism. Their words, not mine……..
I do sometimes wonder if I should include certain quotes in my stories. Obviously, I do not want anyone to think I have knowingly ‘stolen’ someone else’s work, passing it off as my own.
I have a little book where I write snippets of conversation I overhear, perhaps an interesting sentence or story I may read in a magazine. I look through this from time to time, looking for inspiration.
Sometimes it helps, mostly it does not.
But because these little prompts are ‘second hand’, should I use them at all?
I do wonder at times what constitutes plagiarism?
I think ‘knowingly’ is the keyword.
Surely we have all, at some point, used words from another body of work we have remembered and used in our own efforts, either consciously or unconsciously?
I assume that to be classed as ‘plagiarism’, it refers to a whole piece of work and not a few words or sentences here and there. Let’s face it, if it referred to ANYTHING then we wouldn’t be able to write at all!
So I’ll just continue along, in blissful ignorance and hope I don’t incur the wrath of someone with far more talent than me.